代写论文：人与宠物

它必须建立在多个故事里有房子的地方更多的生活空间的宽度可能不是太宽。

这几年来，世界发生了变化，人类和动物的关系也发生了变化。人类对技术的依赖性的增加，已经降低了动物对人类服务的几个方面，并随着人类社会服务工作的减少，人类和宠物的关系也越来越重要。动物服务的不同方式包括交通运输、食品、爱情、安全、体育伙伴等。有几个动物，一直是最爱的当中。
狗是最喜欢的动物之一，与男性有着特殊的关系。在许多国家，狗被认为是人类最忠诚的人。他们被认为是人类最好的朋友。在过去的几年里，狗已经为人类服务的方式有很多。随着其他方面的扩大，这些服务已经改变了。这就是狗在房子里作为宠物饲养的原因，甚至连这个空间也不多，而且房子里的人已经很短缺了。对狗的同情和爱是人类愿意牺牲他们的空间和宠物的原因。

代写论文：人与宠物

It must be built in a way that multiple stories are there in a house for more living space in a place whose width may not be too wide.

The world has changed over the years and with the change in the world, the change in the relationship of man and animals also occurred. The increased dependence of the human race over the technology has reduced several aspects of animal service to mankind and with the decrease of these certain aspect in service of mankind the other aspects have grown rapidly which made the relationship between the man and the pet more vital. Different ways in which the human race is served by the animals includes transportation, food, love, security, sports companion and others. There are several animals that have been the favorites amongst all.

Dogs are one of these favorite animals that enjoyed a special relationship status with the men. In many countries, dogs are considered as the one most loyal to the mankind. They have been thought as the best friend to men. There are many ways through which the dogs have served mankind over the years. These services have changed to the other aspects as the one reduces with the expansion of other. This is the reason that dogs are kept in houses as pets even that the space is not much and there is already shortage of living space for the people living in the house. The compassion and love for the dogs is the reason that human is willing to sacrifice their space with the pets.

代写论文：文化的抄袭和技术民主化

“现成品艺术，拼贴，发现或发现的文本，文本，结合，detournment和拨款，所有这些术语代表抄袭”的探索（“两院”85），因此认为CAE剽窃必须允许。理解CAE意味着什么它是必要的定义为艺术如何被之前和现在。根据CAE技术曾被认为是文化的精英了。这就意味着艺术不应该被复制。然而，在目前的时代，有一个知识爆炸。人们可以获得几乎所有的精英阶层，人们想用艺术文本和非文本来进行实验。CAE验证这种抄袭概念说明任何创作不拥有自身的内在价值。一个文本，一张图片或一首歌将有某种意义，只有当它被连接到一个过程在物理世界。这个连接的过程是什么的定义，因此混音或进行重组，将可能适合不同的意义绝不应被视为抄袭，意义已经改变了的环境已经改变了。
这意味着剽窃CAE状态，它不同于我们所学过的关于剽窃。抄袭与写作是不考虑的基础上。只要是一行或一段文字是用来作为我们的作品或写作，它被认为是抄袭，除非或直到它被引用。上下文没有关系，也不可能被创建的重组，作者必须被引用。

代写论文：文化的抄袭和技术民主化

“Readymades, collage, found art or found text, intertexts, combines, detournment, and appropriation—all these terms represent explorations in plagiarism” (“CAE” 85) and hence argues CAE plagiarism must be allowed. o understand what CAE implies it is necessary to define for how art was viewed before and now. According to CAE Art was once considered culture as presented by the elite. This meant that art should not be copied. However in more current times there is a knowledge explosion. People have access to almost everything that the elite have and people want to experiment with art-text and non-textual. CAE’s validates this plagiaristic notion by stating that any creation does not hold an inherent value of its own. A text, a picture or a song will hold some sort of meaning only when it is connected to a process in the physical world. This connection to the process is what defines it, and hence to remix or to make a recombinant that would probably suit a different meaning should in no way be considered plagiarism, as the meaning has now changed-the context has changed.

This meaning of plagiarism as CAE states it is different from what we have been taught about plagiarism. Plagiarism with respect to writing is not considered based on context. As long as a line or section of text is used as such in our works or writing, it is said to be plagiarism, unless or until it is referenced well. The context does not matter, nor does the recombinant that it might be created in; the author has to be referenced.

圣约翰论文代写：电影《海辛》电影的理论视角与电视研究

最终导演的概念是娱乐观众。观众应该欣赏电影的内容和它试图传达的信息是什么。制片人希望货币福利和添加视觉上赏心悦目元素在电影结束时他们的工作。批评者状态,对女性的刻画在电影院沙文主义的趋势。人描绘成精神上强大的个人谁的女人为了生存的需要。在“女性形象和人持票人看的这种感知无角的分析。制造商似乎有意继续男主角的趋势,因为它娱乐观众。观众希望看到一个男主角在屏幕上,他们可以项目自己的人上(无角的)。在范海辛的情况下可以发现这一趋势。这里虽然提出了女性安娜作为一个坚强的人,正是范海辛显示成功的一天。观众也喜欢这类电影,因为它满足了其原始的视觉需求。有很多视觉上赏心悦目的元素。这令人不安的趋势但制片人和涉众的电影传播此消息为商业原因。

然而,范海辛试图建立起一种平衡。在过去,女性的文章一个角色都满意的诱人的性或自负的角色。有时他们把这两个组合的故事。女性的角色人物的范围明显减少。他们被视为性玩物。他们得到了自我中心的角色如果不提供性对象化的作用。在大多数情况下,妇女在诱人的角色或自我中心的角色(桑哈姆)。

圣约翰论文代写：电影《海辛》电影的理论视角与电视研究

The ultimate notion of a filmmaker is to see entertain the spectators. The spectators should appreciate the movie for its content and the message it tries to convey. The filmmakers want monetary benefits and add visually pleasing element in the cinema at the end of their work. Critics state that the portrayal of women in cinemas has a trend of chauvinism. The men are portrayed as mentally strong individuals whom the women need in order to survive. In ‘Women as Image and Man as a bearer of the look’ Mulley analyzes this perceptive. The makers seem to knowingly continue the male protagonist trend because it entertains the audience. The audience expects to see a male protagonist on the screen, someone they can project themselves onto (Mulley). In the case of Van Helsing this trend can be noticed. Here although the female Anna is presented as a strong person, it is Van Helsing that is shown to carry the day to success. The audience also enjoys such movies because it satisfies their primal visual needs. There are a lot of visually pleasing elements. This disturbing trend but the filmmakers and the stakeholders in making the film spread this message for commercial reasons.

However, Van Helsing has attempted to strike up a balance. In the past, the women were satisfied to essay a role of alluring sexuality or conceited roles. Sometimes they took up stories that are a combination of these two. The scope of the role of the women characters was significantly reduced. They were portrayed as sex objects. They were offered egoistic roles if not offered a sexually objectified role. In majority of the cases the women act in alluring roles or egocentric roles (Thornham).