圣约翰论文代写：电影《海辛》电影的理论视角与电视研究

圣约翰论文代写：电影《海辛》电影的理论视角与电视研究

最终导演的概念是娱乐观众。观众应该欣赏电影的内容和它试图传达的信息是什么。制片人希望货币福利和添加视觉上赏心悦目元素在电影结束时他们的工作。批评者状态,对女性的刻画在电影院沙文主义的趋势。人描绘成精神上强大的个人谁的女人为了生存的需要。在“女性形象和人持票人看的这种感知无角的分析。制造商似乎有意继续男主角的趋势,因为它娱乐观众。观众希望看到一个男主角在屏幕上,他们可以项目自己的人上(无角的)。在范海辛的情况下可以发现这一趋势。这里虽然提出了女性安娜作为一个坚强的人,正是范海辛显示成功的一天。观众也喜欢这类电影,因为它满足了其原始的视觉需求。有很多视觉上赏心悦目的元素。这令人不安的趋势但制片人和涉众的电影传播此消息为商业原因。

然而,范海辛试图建立起一种平衡。在过去,女性的文章一个角色都满意的诱人的性或自负的角色。有时他们把这两个组合的故事。女性的角色人物的范围明显减少。他们被视为性玩物。他们得到了自我中心的角色如果不提供性对象化的作用。在大多数情况下,妇女在诱人的角色或自我中心的角色(桑哈姆)。

圣约翰论文代写：电影《海辛》电影的理论视角与电视研究

The ultimate notion of a filmmaker is to see entertain the spectators. The spectators should appreciate the movie for its content and the message it tries to convey. The filmmakers want monetary benefits and add visually pleasing element in the cinema at the end of their work. Critics state that the portrayal of women in cinemas has a trend of chauvinism. The men are portrayed as mentally strong individuals whom the women need in order to survive. In ‘Women as Image and Man as a bearer of the look’ Mulley analyzes this perceptive. The makers seem to knowingly continue the male protagonist trend because it entertains the audience. The audience expects to see a male protagonist on the screen, someone they can project themselves onto (Mulley). In the case of Van Helsing this trend can be noticed. Here although the female Anna is presented as a strong person, it is Van Helsing that is shown to carry the day to success. The audience also enjoys such movies because it satisfies their primal visual needs. There are a lot of visually pleasing elements. This disturbing trend but the filmmakers and the stakeholders in making the film spread this message for commercial reasons.

However, Van Helsing has attempted to strike up a balance. In the past, the women were satisfied to essay a role of alluring sexuality or conceited roles. Sometimes they took up stories that are a combination of these two. The scope of the role of the women characters was significantly reduced. They were portrayed as sex objects. They were offered egoistic roles if not offered a sexually objectified role. In majority of the cases the women act in alluring roles or egocentric roles (Thornham).