加拿大作业抄袭：受众接收

加拿大作业抄袭：受众接收

受众接收是这个系统中没有改变的关键变量。观众的接受被称为“接受分析”。它是受众与内容交互的特征方法。对内容的接受方式取决于文化和地方的社会实践。在这一范例中有许多人种学的观点。媒体内容开发人员尝试开发满足受众和目标人口意识形态的内容(Wakefield, 2016)。他们想取悦消费者来推动商业发展。传统上，观众是被动的观众。

加拿大作业抄袭：受众接收

被动受众是吸收电视节目内容的人。随着社交媒体和互联网的出现，在当前的时代(Wakefield, 2016)，这一动态已经发生了变化。观众变得更加活跃，并积极参与塑造呈现给他们的最终媒体内容。从过去到现在，他们与名人互动的方式也发生了变化(Becker和Schonbach, 2013)。这个分析的目的是了解互联网是如何改变名人与粉丝之间的关系，从过去到当代。

加拿大作业抄袭：受众接收

Audience reception is the key variable that has not changed in this system. The audience reception is known as “reception analysis”. It is the characteristic methods in which the audience interact with the content. The methods of reception towards the content depend on culture and the social practices of the place. There are a number of ethnographic perspectives that have been observed in this paradigm. The media content developers try to develop the content to suit their audience and target demography ideology (Wakefield, 2016). They want to entertain the consumers to drive commerce. Conventionally the audiences are passive audience.

加拿大作业抄袭：受众接收
Passive audiences are the people who absorb the content that is shown on the TV. With the advent of social media and Internet, there has been a change in this dynamic that is observed in the current times (Wakefield, 2016). The audience have become more active participants and are actively involved in shaping the final media content that is presented to them. There is also a change in the dynamics of how they interact with the celebrities from the past to the current times (Becker and Schönbach, 2013). The purpose of this analysis is to understand how the Internet has changed the relationship between the celebrities and the fans from past to the contemporary times.