多伦多代写：音乐元素分析

多伦多代写：音乐元素分析

《铁娘子》中《兽之数》的歌词被认为是他们最受欢迎的歌曲。有多个实例增加了它的受欢迎程度。这是第一首加入他们乐队的歌手的歌。这也是那个和他们在一起的鼓手的最后一首歌。重金属类型的歌曲通常会考虑不同的子类型，其中最明显的是暗指魔鬼和圣经。《铁娘子》(The number of The beast)是一个典型的类别，将重金属引入了公然的、响亮的反基督教情绪。在它的文字中，既有含蓄的暗示，也有明确的暗示。除了歌词之外，专辑的封面以一种近乎超现实的方式呈现了人性黑暗邪恶的一面。这些话、陈述和更多的内容都充满了仇恨和愤怒。本文试图通过对《铁娘子》中重金属元素的分析和理解。

多伦多代写：音乐元素分析

对歌曲的主要来源进行了批判性分析，并对歌曲进行了歌词和二次文学创作。铁娘子是在重金属不仅被认为是音乐，而且是一种生活方式，甚至是一种哲学的时代建立的。因此，他们的受欢迎程度是全面的，从真正的歌曲到海报、t恤等物品。乐队本身是在1970年成立的。贝斯手史蒂夫·哈里斯被认为是贝斯手。《速度与打击乐》的子类型在它的最初阶段。温斯坦认为，金属的速度/打击乐风格更像是一种原教旨主义的金属风格。它也被称为其他的名字，如电力金属或地下金属。在商业金属被创造出来以吸引特定的观众的时代，《速度/击穿金属风格》吸引了一般的年轻人，并试图将他们从金属的商业化中解放出来。

多伦多代写：音乐元素分析

The lyrics from ‘The number of the beast’ in Iron maiden is mostly recollected as their most popular song. There were multiple instances that added to its popularity. It was the first song for a vocalist that joined their band. It was also the last song for the drummer who had been with them till then. Heavy metal genre songs usually consider different sub genres and the most explicit of them is that of the allusion to the devil and biblical ones. ‘The number of the beast’ by Iron Maiden is a typical category that introduced Heavy Metal to blatant and loud sentiments of anti-Christianism. There are both implicit and explicit allusions to religious imagery in its words. The cover for the album, in addition to the lyrics, presents a dark satanic side to human nature in an almost surreal way. The words, the presentation and more are fully saturated with hatred and wrath. This essay attempts to analyze and understand the heavy metal genre in ‘The number of the beast’ by Iron Maiden.

多伦多代写：音乐元素分析
A critical analysis is done with the primary source as the song and the lyrics and secondary literature on the song. The Iron Maiden was established in a time when Heavy Metal was being recognized as not just music but as a way of life, as a philosophy even. Hence, their popularity was all comprehensive, from the actual songs to paraphernalia like posters, tees and more. The band itself was formed in the year 1970. Steve Harris a bassist was credited with its formation. Speed and Thrash sub-genre was in its initial inception. Weinstein sates that Speed/ Thrash style of metal was more of a fundamentalist strain of metal. It was also called by other names such as power metal or underground metal. At a time where commercial metal was being created in order to appeal select audiences, speed/thrash metal style appealed to youth in general and attempted to reclaim them from the commerciality of metal.