论文代写

蒙克顿论文代写:桑塔格在当代

蒙克顿论文代写:桑塔格在当代

在视觉和美学分析,可以说,相机藏大于披露。任何艺术形式展示一幅画或照片一定会尝试只传达一定的信息,也有身体的表达式。照片往往在观众的感知不同,因此在商业广告了。照片的角度可以取决于研究个体,即使形而上的思考,答案可以推导出在许多方面(桑塔格,1973)。

根据照片桑塔格(1973)被认为是宝贵的历史证据,因为它是一个主要的艺术形式,给人类一个潜意识的回忆和记忆相关的事件及相关照片,让人们享受现在经过多年。这是一个非侵入性的方法显示隐形的现实背景。人类的情绪,如快乐,痛苦或爱或给予宽容与现实永远无法理解,在一个照片。他们站作为一个支柱没有情感,这是观众推断有关的感觉(桑塔格,1973)。这张照片有隐藏的元素如外面的人在做什么,附近的一块岩石上,散乱的形式在自然界等这些答案或背景是隐藏的,实际上这就是吸引观众更近。

蒙克顿论文代写:桑塔格在当代

In both visual and aesthetic analysis of the picture, it can be said that the camera hides more than it discloses. Any art form exhibit either a drawing or a photograph will necessarily try to convey only a certain amount of information and  that too about the physical expressions  only. The photographs tend to differ in the perception of the viewer and hence in commercial advertisements they are framed and presented. The perspective with which a photograph can be studied depends upon the individual, and even if metaphysical thinking is applied, the answers can be deduced in numerous ways (Sontag, 1973).

According to Sontag (1973) a photograph is considered to be invaluable historical evidence as it is one of the main art forms which give the humans a subconscious memory recollection and recall of the incidents associated and pertaining to that photograph and make people relish the moment after many years too. It is a non-intrusive method of showing the reality with a stealth background. The human emotions such as happiness, pain or love or giving or forgiving as linked with reality can never be understood in a photograph. They stand as a pillar without emotions and that it is up the viewer to deduce the concerned feelings (Sontag, 1973). In the case of this picture there are hidden elements such as what the person is doing outside, near a rock, in nature in a dishevelled form etc. These answers or the background is hidden and this is what actually allures the viewer to look closer.