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美国本科申请流程:性别的刻画

美国本科申请流程:性别的刻画

性别的刻画方式在个体的性别认同中起着重要的作用。要分析这一点,就必须理解女性身份在社会中的作用。从历史上看,对女性的压迫在许多文化中都得到了支持(Naiman, 2012, p. 264)。正因为如此,社会上爆发了不同形式的女权主义,以确保男女得到平等对待(第269页)。尽管有这些运动,大多数加拿大妇女仍然不参与政治,宁愿呆在家里。女性在职场的薪酬低于男性,被认为在社会中不如男性(Naiman, 2012, p. 274)。

美国本科申请流程:性别的刻画
这些观点得到了弗洛伊德和亚里士多德等杰出人士的支持(Naiman, 2012, p. 264)。媒体是一个地方文化价值的反映。女性被压迫和被物化的情感在纪录片《温柔地杀了我们》中得到了体现,对女性的物化进行了详细的解释。女性主要被用作物品。在纪录片《粉碎》中,展现了男性物化,以及青少年和年轻男性追求成为完美的男性客体。这段视频基本上证明了,在现代社会,男性也被强调要以某种方式打扮。这段视频也质疑了《温柔地杀死我们》中的叙述。

美国本科申请流程:性别的刻画

The way in which the genders are portrayed plays an important role in gender identity of individuals. To analyze this, there should be understanding of the role of female identity in the society. Historically, there has been oppression against women and that has been espoused in many cultures (Naiman, 2012, p. 264). Owing to this, there were different forms of feminism that erupted in the societies to ensure that women and men are treated equally (p. 269). In spite of these movements, a majority of Canadian women continue to not partake in politics and prefer to stay at home. The women are paid less than men in workplace and have been considered to be inferior to the men in the society (Naiman, 2012, p. 274).

美国本科申请流程:性别的刻画
These arguments have been bolstered by eminent people such as Freud and Aristotle (Naiman, 2012, p. 264). Media is a reflection of the cultural values of a place. Sentiments of women oppression and objectifications have been showcased in the documentary “Killing us softly” where the objectification of women has been explained in detail. Women are used mainly as objects. In the documentary “Shredded”, male objectification and the pursuits taken by adolescents and young men to be perfect male objects has been shown. This video basically is a proof that men are also stressed to look a certain way in the modern societies. This video also questions the narratives shown in “Killing us softly”.