电影的音乐艺术家是一个重大的打击。由于几个原因，这是特殊的 – 合适性，创造情绪和适合现场。
从技术上讲，电影的分数已经足够覆盖投影机的声音。没有外部噪音。由于这是在戏剧背景下发生的，它也可以追溯到历史（1927 – 1932）。作曲家将音乐的选择与剧院元素融合在一起考虑了历史与音乐的搭配。作曲家得分高的音乐的第三个方面是美学意义。没有一个场景留下空白或被沉默主宰。有一些愉快和相关的音乐来填补预计沉默的场景。这样可以更好地理解电影的目标，并让观众更好地关注。
Analysis of music in scene
The music of the movie The Artist is a major hit. It is special due to several reasons – the appropriateness, the creation of mood and the suitability to the scene.
Technically, the film scores have sufficiently covered the projector sound. There is no external noise. Since this happens within a theatrical background, it also dates back to the history (1927 – 1932). The composer has paired up the history with the choice of music taking the theatre elements into consideration. The third aspect of music where the composer has scored high is the aesthetics sense. No scene was left blank or dominated by silence. There was some pleasant and relevant music to fill the scene where silence is anticipated. This creates a better perception about the objective of movie and lets the audience to focus better.
Music elements used for the film can be categorized based on the characters. In the case of George, it was a 6 figure piano (melody genre) used to create the mood. When the tone changes or the scene occurs again, the speed varies. For Peppy Miller, the music is always perky and makes use of high strings. There is a pulsing whenever an important scene occurs. The additional solos and the cadences make her appear magnificent in the movie (Caldwell, 2012). The composer has beautifully categorized the music based on role played by the characters. George’s wife plays a small role, and hence, the forlorn clarinet solo is heard whenever there is a conflict. In addition, the studio boss is accompanied with slow timpani.