essay 代写：金属陶瓷的诞生

essay 代写：金属陶瓷的诞生

现在为了更好地理解这些线条，有必要了解金属陶瓷的诞生及其所寻求的贡献。金属陶器诞生于20世纪80年代。当时的社会文化背景是一个拥抱摇滚乐队如枪炮玫瑰和重金属的典型特征是小想法。当时的大多数年轻人都关注那些不那么严肃的乐队，关注当时的社会政治背景。Metallica在政治问题，战争等方面都是先驱这在重金属音乐中并不常见。乐队的风格是一种不合群的风格，而“让自己自由自在”，就像赫茨菲尔德在《圣愤怒》(St. Anger)中所表现的那样，是金属乐队激励许多人去做的事情。赫特菲尔德和乌尔里希这两位关键球员来自两个不同的世界，因此在创作和演奏中存在着内在的冲突。

essay 代写：金属陶瓷的诞生
他们共同的兴趣是英国的机灵鬼。他们的主要贡献是为那些无法认同邦乔维(Bon Jovi)等同时代人的歌迷们带来了音乐。年轻人需要以放弃的形式释放他们的迷恋，而Metallica则填补了这一空白。metallica的儿子们是私人化的，他们的作品反映了许多男性的痴迷，其中大多数是年轻人。它的特点是:愤怒、绝望、怀疑、恐惧等等。以圣怒症为例，他们的青春岁月过后，艺术家们仍然以一种类似的宣泄方式来表达他们的情感。

essay 代写：金属陶瓷的诞生

Now to understand these lines better it is necessary to understand the birth of Metallica and what it sought to contribute. Metallica was born in the 1980’s. The socio-cultural context at this time was one that embraced rock bands like Guns & Roses and heavy metal was typically characterized by small ideas. Most of the youth at that time were focused on bands that were less serious, about the socio-political context of the time. Metallica was a pioneer here in touching upon political issues, war and more in a way that wasn’t typical with Heavy Metal. The style that the band was seen with was that of a misfit, and “to let myself go free” as Hetfield presents in St. Anger was what Metallica inspired many to do.Hetfield and Ulrich the key players came from two different worlds and hence there was the presence of an inherent clash in compositions and rendition.

essay 代写：金属陶瓷的诞生
Their common interest was United Kingdom’s Motorhead. Their major contribution was in brining music for fans who were not able to identify themselves with the then contemporaries like Bon Jovi. Youth needed a release in the form of experessions for their obsessions and Metallica filled this gap. The sons of metallica were personal and were written to reflect the many obsessions of men, mostly young men. It features, anger, despair, doubts, fear and more. In the case of the St. Anger, ages after their youth period, the artists still portray their emotions in a similar cathartic style.