加拿essay代写-纹身

加拿essay代写-纹身

早期的研究未能准确比较那些没有纹身和有纹身的人与其他人的看法。Wohlrab, Fink, Kappeler和Brewer(2009)已经推出了涉及男性和女性的数字化身。这些是人类的表征,在其他方面是相同的。因此,只有在纹身的基础上才能得到真正的比较,这是一个过高的目标,以前是无法达到的。研究发现,男性对女性纹身和男性形象有偏好(Wohlrab et al., 2009)。然而,对于化身和纹身的使用没有限制。电脑游戏将纹身融入角色的过程已经在游戏世界中发生。它的扩展是与非玩家的角色。例如,在游戏进程开始之前,玩家可以选择自己的数字化身。另一个例子是基于互联网浏览器的游戏《厌恶王国》。在游戏中的各种成就中,都有代表纹身的角色解锁。
如果这些人没有纹身,他们在现实生活中也会有纹身的经历。纹身作为一种产品,无论是可以购买的,还是在销售其他产品时使用纹身的范围,都具有独特性(Kosut 2006)。例如,范思哲的广告宣传活动就以纹身的泳装模特为特色(Kosut 2006)。可以发现纹身的混合方面在明确的交叉。Kosut(2006)已经认识到纹身过程中的个人、商业和仪式方面。纹身的概念有其美丽之处,纹身被视为一种商品。香港社会有几个人在纹身。这可以看作是沟通的功能。然而,纹身往往与主人的价值观和身份直接相关。鉴定从纹身中获得动机的人,以及公开和隐私问题的处理,可以进一步说明个人之间,特别是纹身方面的交流是如何进行的。

加拿essay代写-纹身

The earlier researches failed to compare accurately the individuals who are non-tattooed and tattooed with respect to the others’ perception. Wohlrab, Fink, Kappeler, and Brewer (2009) have come out with digital avatars involving males and females. These are human representations that have been identical otherwise. Therefore, true comparison is obtainable on sole basis of the tattoo, a goal that has been too lofty and has been unreachable earlier. The findings have the preference of males for female tattoos and for females, the male figures (Wohlrab et al., 2009). However, there is no limitation with regards to the use of avatars and the tattoos in conjunction.The integration of the tattoos by the computer games into the characters has taken place in the world of games. The extension of it has been with the characters who are non-players. For example, before the beginning of the progression of the game, a player can be selecting the self digital avatar. Another instance is the game based on the internet browser called Kingdom of Loathing. In a variety of accomplishment in-game, there is unlocking of the characters representing the tattoos.
There can be experiences of the individuals with regards to the tattoos in a manner that can be in their real life, if they don’t possess it. There is uniqueness in the tattoos as products in terms of the fact that it can be purchased as well as the scope of utilization of the tattoos in selling other products (Kosut 2006). For instance, the advertising campaign of Versace have been featuring the swimsuit clad models who are tattooed (Kosut 2006). There can be findings of the tattoo’s commingling aspects in clear intersection. Kosut (2006) have recognized the individual, commercial and ritual aspects of the process of the tattooing. The concept of tattooing has the beauty, where tattoos have been treated as a commodity. Several people on the society of Hong Kong are having tattoos. This can be considered as the function of communication. However, the tattoos are often in direct relationship with the values and identity of the owners. The identification of the people getting motivations from tattooing and the and the management of the issues of disclosure and privacy can provide further illustration of the way the communication takes place among individuals, especially with respect to the tattoos.

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加拿大代写-品牌货标签与性别认同无关

加拿大代写-品牌货标签与性别认同无关

这可以通过一个例子来理解:当今世界的都市型男都是异性恋,很时髦,他们更在意自己的形象。为了展现自己形象的女性化一面,他们正在寻找拉尔夫•劳伦(Ralph Lauren)等定制品牌,以追求时尚感和美感。他们不受传统男性观的束缚,也不羞于展示自己的异性恋形象(Fischer and Arnold, 1990)。男性正在尝试不同的颜色,这在早些时候是与女性有关的。随着文化的开放,男性不再隐藏自己的女性身份,消费这些反映了他们女性一面的商品。同样的,那些坚强的女性想要展示她们的工具的一面,她们使用男性品牌来展示她们的男性形象。女性使用不同的商品,这显示了男子气概,如万宝路香烟(斯特恩,1988)。
因此,可以说品牌或标签与性别认同无关,而是通过成为文化产品而成为文化的一部分。这有助于消费者形成自己的性别形象,并与自己建立联系(Fry, 1971)。品牌和标签已经成为文化产品,这引起了人们的极大关注。单一的品牌可以与多元化的个性相联系。一个标签或品牌可以被男性和女性消费。品牌也与消费者密切相关,是消费者的重要合作伙伴。对于一个成功的品牌管理来说,与消费者建立良好的关系是非常重要的。品牌与性别之间的关系需要深入理解。多元性别认同理论解释了当前的消费文化,因为它也可以帮助预测性别和身份相关的品牌。根据Palan的研究,“消费者的品牌感知由多种因素组成,包括记忆联想、态度形成和关系感知”(Palan, 2001)。

加拿大代写-品牌货标签与性别认同无关

This could be understood with an example: the metro-sexual men of today’s world who are heterosexual and hip, and they are more concerned with their image. For showing the feminine side of their image, they are going for tailored brands such as Ralph Lauren, to follow the sense of style with beauty. They are not bound with traditional masculinity view, neither they are shy to show their heterosexual image (Fischer and Arnold, 1990). Men are trying different colours, which were earlier associated with females. With the openness in culture, men do not hide their feminine identity anymore and consuming such goods, which reflect their feminine side.Same way, females who are tough and want to display their instrumental side are using masculine brands to show their masculine image. The females are using different goods, which show masculinity such as Marlboro cigarettes (Stern, 1988).
Thus it is correct to say that brand or label is not bound with gender identity, but they have become the part of culture by becoming cultural product. This helps the consumers to form their own gendered image and to create connection with own self (Fry, 1971). The brands and labels have become the cultural products, this has gained great attention. A single brand can be associated with diversified personalities. One label or brand can be consumed by both man and woman. Brands are also closely involved in the consumers and works as the important partners. For the successful brand management it is very important for building strong relationship with consumers. The relation between brand and gender needs to be closely understood. The multi-fractional gender identity theory explains the current consumer culture, as it can also help in predicting gender and identity related brands. According to the study of Palan, “consumers’ brand perceptions are comprised of multiple factors, including memory associations, attitude formations, and relationship perceptions” (Palan, 2001).

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